Working across printmaking, photography, textiles, installation and writing, his practice investigates how meaning emerges through relationships between matter, perception, language and systems.
Rather than moving between disciplines, the work follows a continuous inquiry. Biology, typography, architecture, cinema and digital culture are approached as interconnected fields through which patterns, repetition and transformation can be observed.
Since 2004, the square has served as the fundamental unit of his practice. Chosen as a deliberate constraint, it has become a generative structure through which printing, weaving, architecture, pixels and spatial organisation can be explored.
Photography is approached as a practice of attention. Observation, collecting and returning to the archive become forms of research through which relationships emerge over time.
Across all media, the work remains guided by a single question: not what things mean, but how meaning emerges.